The new wave of 4K cameras are arming the Pro Video world with amazing sensors at affordable price points. Shogun completes the solution for professionals, with a class leading 7″ high resolution monitor, Balanced XLR audio, HDMI & SDI connectivity, Recording direct to 422 10-bit ProRes, Avid DNxHR and RAW, all to high capacity, affordable and open market SSDs.
Shogun preserves the pristine uncompressed video quality from your camera’ssensor by directly encoding it into Apple ProRes® or (optionally) Avid DNxHD®.
It records to HDD/SSD using the exFAT file system making it instantly compatible with your NLE timeline. The Shogun’s revolutionary ‘Sensor-to-NLE’ workflow is the fastestand best quality available today!
With the plummeting price of hard disk storage, the 2½” disks used by the Shogun arevery cheap; the cost of storage is no longer an issue. Buying a disk for the Shogunis just like buying a tape – except that with a disk you will have instant “non-linear”access to your video.
The Shogun’s one-touch IPS ‘SuperAtom’ screen interface is intuitive and simple touse. There are no complicated menus or difficult to find functions – everything youneed is instantly accessible from the home screen. Refer to ‘Using your Shogun’ formore information.
Atomos Shogun Hire London
Atomos Shogun Rental London
Included in Kit
1x Atomos Shogun
1x 960GB SSD Drive
1x Atomos SSD Card Reader
3x Batteries
1x Charger
1x Mains Adaptor
Plus Accessories
Case
(Please Ask If You Require Any HDMI/SDI Cables Or Mounts With The Recorder)
Specs
Display
Size: 7.1”
Resolution: 1920 x 1200
PPI, Over 320
Aspect ratio: 16:9 native
Color standard: REC709 HDTV
Look up table (LUT) support, 3D LUT (.cube le format)
Technology, SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit<
Supported Formats
(Record & Playback) 4K: 2160p 24/25/30 HD – high frame rate**, 1080p120*, 1080p60/50 HD: 1080i60, 1080i50, 1080p30, 1080p25, 1080p24, 1080pSF24, 1080pSF25, 1080pSF30, 720p60, 720p50 4K UHD downscale for HD monitoring: Yes – loop-out & playback (not available in RAW) Anamorphic de-squeeze, 2x, 1.5x, 1.33x, Panasonic 8:3 Realtime Hardware Encoding 4K – DCI RAW 4096×2160 to Supported cameras; Sony FS700, FS7 Canon C300MKII, C500 Apple ProRes HQ, 422, LT DNxHR HQX, HQ, SQ, LB 4K-UHD 3840×2160 8/10-bit 4:2:2 to Apple ProRes HQ, 422, LT DNxHR HQX, HQ, SQ, LB 920×1080 8/10-bit 4:2:2 to Apple ProRes HQ, 422, LT DNxHR 220x, 220, 145, 36
Video Input/Loop Out
HDMI: 1 x HDMI (1.4b) SDI: 1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) Signal, Uncompressed true 10-bit or 8-bit 422 (camera dependent)
Video Output (Play Out)
HDMI: 1 x HDMI (1.4b) SDI: 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
In/Out
HDMI: 2 or 8ch 24-bit, camera dependent)
SDI: 12ch 48kHz 24-bit Audio: 2ch balanced
Audio
(48kHz PCM Audio)
XLR analog in/out Dynamic range >90dB
Max signal level +24dBu
Max analog gain +40dB
48V Phantom Power for Mic
